Please join us for our next meeting, 2-5pm on 27 April, 2018, where we will be discussing chapters 19-24 at the University of Bristol.
The event will be in the Verdon-Smith Room, Institute of Advanced Studies, Royal Fort House, University of Bristol, BS8 1UH.
Keep and eye on the blog and #VitanovaUK for further updates and details!
You’re very welcome to join us for the third afternoon of presentations and discussions of Dante’s Vita nova, hosted at the Taylor Institution by the University of Oxford on Friday, 2 February. You can also follow the discussion via #VitanovaUK on twitter and through this blog, which will be updated with reports from the day.
The full programme is here:
Take a look at the next event in the series, hosted in Oxford.
We’re looking forward to the next event in the series, to be held in the Taylor Institution Library (Room 2), at 2-5pm on Friday, 2 February.
The day will begin with a welcome at 2pm and presentations will begin at 2.15pm. There will be a coffee break at 3.45pm, followed by a session for general discussion.
We’ll be confirming the remaining details shortly and we look forward to seeing you there!
1 month on from our event at UCL, here’s a chance to refresh your memories of the presentations, or read about them for the first time, if you weren’t able to join us!
UCL, 10 November 2017
The Giuntina from the UCL Special Collections book display
At the second event in the ‘Re-reading Dante’s Vita nova‘ series, researchers from all over the UK came together with interested students and members of the public to hear new ideas about Dante’s formative early work, the Vita nova, presented by researchers from UCL’s School of European Languages, Culture and Society (SELCS). Dr Catherine Keen and Dr Alex Lee welcomed us on the day, and we were also joined by researchers from the University of Notre Dame via video uplink.
Sophie Fuller (a PhD student at UCL) reports:
The second meeting of the ‘Re-reading Dante’s Vita nova’ project followed a display of special editions of the Vita nova with presentations from both UCL staff and students. Giulia Gaimari, a current PhD student, opened the presentations with an overview of chapters V-XII of the Barbi edition…
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Dante’s works are thick with visionary and visual scenes. Readers are encouraged to see with Dante as he narrates his love for Beatrice in the Vita Nuova, and to look at and through the Commedia as visual artefact (‘Aguzza qui, lettor, ben li occhi al vero, / ché ‘l velo è ora ben tanto sottile, / certo che ‘l trapassar dentro è leggero.’, Purg. VIII, 19-21). Dante himself is commanded to look innumerable times throughout the poem. The visual textures of Dante’s texts have also provoked a long tradition of visual responses to his works. Building on seminal contributions in recent scholarship (Iannucci, 2004; Braida and Cale 2007; Lehner, 2017), this panel seeks interventions expounding the role played by the visual arts in the cross-cultural mediation and interpretation, appropriation and popularisation of Dante’s textuality and imagery from the early modern era to postmodernity. The intention is historicize the modes of visualisation of Dante’s poetry in both traditional and more experimental forms of representation ranging from painting, illustration and sculpture to film, graphic novels and videogames. In mapping the dynamics of this Dante’s productive responses in visual arts, the panel will discuss:
- The visuality of Dante’s works: from the lyrics to the Commedia, in terms of their material imagery, visual and visionary language, episodes of ekphrasis, synaesthetic and optical illusions and effects. Dante’s seeing, and the reader as observer.
- ·The construction of the visual canon: from Botticelli’s Disegni per la Divina Commedia (1480-1495) to Robert Rauschenberg Thirty-Four Illustrations for Dante’s Inferno (1958-1960) and beyond.
- The dialectic of centrality/marginality at play within the canon: i.e., the macroscopic predilection for the representation of the Commedia over the Vita Nuova and other minor works; as well as the microscopic selection of episodes and passages from the poem itself.
- The multiple uses of illustration as commentary: from early modern manuscripts to nineteenth-century illustrated editions for young and adult readers.
- The postmodern reactivation of Dante’s medieval vision in the digital world: cinematic and graphic reinventions of the Commedia.
Please submit abstracts of not more that 200 words, a brief biographical note, and requests for audio-visual equipment to David Bowe (University of Oxford) email@example.com and Federica Coluzzi (University of Manchester) firstname.lastname@example.org by 20 December 2017.
This is a lovely write up of the exhibition of rare and important printed books of Dante’s works and about Dante, written by Paolo Gattavari, a PhD student at UCL.
The second seminar of the collaborative research project ‘Re-Reading Dante’s Vita nova’, held at University College of London on the 10th November, was accompanied by a book display showing a wide range of print editions of Dante’s works, from the editio princeps of the Vita nova, dating back to 1576, to translations of his texts into English and French.
The books on display were kindly made available by the UCL Dante Collection, an real treasure trove for anyone interested in Dante and the history of Dante Studies. With almost 3000 volumes, the Dante Collection took its origin from the bequest made in 1876 by the eminent Dante scholar Henry Clark Barlow and, from that moment onwards, it continued to blossom thanks to other donations or acquisitions.
The editio princeps of the Vita nova was…
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This was a great second event in out #VitanovaUK series, hosted by colleagues at UCL, with a lovely exhibition of important early printed editions of Dante’s Vita nova and the Divine Comedy. Have a look for the Catherine Keen’s twitter live introduction to the collection on the #VitanovaUK hashtag.
There will be some more blogs about this and other events soon, so do keep an eye on the ‘Re-reading Dante’s Vita nova’ blog, and sorry about the coffee Kenneth…
We’re delighted to announce that, as well as the presentations and discussion, there will be a small book display to accompany the day, featuring Special Collections material including the editio princeps of 1576, and some other wonderful 16th, 18th and 19th century material. This will be on display in the Special Collections Reading Room in the South Junction, adjacent to the main event in the Institute for Advanced Studies.
Full details on the poster:
Updates on our next event in the #VitanovaUK series at UCL, 10 November, 2-5pm
The Seminar is being hosted by UCL’s Institute for Advanced Studies, in the ‘Common Ground’ seminar space, Wilkins Building South Wing, UCL. The chapters proposed for close discussion this time are Vita nova ch. 5-12 (Barbi’s numbering), and the speakers will include (in alphabetical order) Giulia Gaimari, Catherine Keen, Jennifer Rushworth, and John Took.
Plans for the day are being finalised, so watch this space for a full formal programme. Meanwhile, please save the date, and spread the word.
‘Portrait of Dante and Beatrice’, by Bernard Essers, 1922 (Rijksmuseum, Amsterdam)