The last fragment falls into place

Fragments of Red

Fragments of Red

 

So, I’ve written about the Fragments Project before (herehere and here) and I’m about to embark on a trip back up to the Scottish Borders to sing in the last of the three ‘Fragments of…’ events, ‘Fragments of Red’. These events have staged audiovisual installations by The Red Field involving the performance of music from a C12th manuscript fragment alongside compositions inspired by the medieval chants.

There’s been music from Seán Doherty (for ‘Fragments of Blue’) and Michael Nyman (for ‘Fragments of Black’) and this time we’ll be singing new compositions by Grayston Ives in an event at Melrose Abbey alongside a variety of medieval tunes!

The music is beautiful and I can’t wait to join up with the choir in Scotland and hear it ring out in the abbey ruins.

On chanting from the Hawick Missal

one side of the Hawick Missal fragment

one side of the Hawick Missal fragment

A little context: not long ago a fragment of a 12th century manuscript missal (a book containing instructions for carrying out the mass) was found in an archive in the Scottish borders. It inspired a project which has involved performances, audio-visual art, installations and new compositions.

 

I’ve sung in two of these events, performing plainsong chants from the manuscript and a new composition by Seán Doherty responding to its contents. While practicing and performing for these events, I’ve been prodded by the experience to write poems, the first of which (written in November 2012 at an event in Hawick itself) is here:

 

You want to see a soul?

A near immortal something,

a life

that sings on in a resonance of ink

nibbed to each page

with extraordinary care;

words on skin in skin, fragmented,

buried,

now exhumed and rising

word on note on tongue

from lungs expelling songs of other times

and people

and geographies

and realms entirely;

so old they’re new,

so strange they hang in air

unbound, aloud, beyond