This looks likes a wondrous exhibition. It’s exciting to see the level of engagement and re-elaboration of Dante’s work across media at the moment.
The exhibition of Rachel Owen’s new illustrations of the Inferno at Pembroke College, Oxford, represents another rich addition to this tradition.
Part of this must certainly be to do with this particular temporal sweet spot, between the 750th anniversary of Dante’s birth (which we celebrated in 2015) and the 700th anniversary of his death (to come in 2021), but this isn’t the only explanation.
Dante’s have been a source texts for visual, musical and new literary art for centuries, something I’ve written about elsewhere, and it’s rewarding, as a researcher, to see the everliving and developing nature of his artistic legacy.
A new exhibition opens in Durham this week, at the Palace Green Library Galleries. Curated by Annalisa Cipollone Dante: Hell, Heaven and Hope – A Journey through Life and the After-Life with Danteopens on Saturday 2nd December 2017, and runs until early March 2018. Following Dante’s poem The Divine Comedy with its tour through Hell, Purgatory and Paradise, the exhibition features rare manuscripts of Dante’s work, printed copies and artistic responses to one of the greatest imaginative achievements of the Middle Ages.
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